Alberto can no longer conceal the fact that his body is decomposing, and he begins to withdraw from the world. But before yielding to his living death, Alberto forms an unusual friendship with Silvia, his tough but sympathetic boss.

"You won't find another (...) film that takes to the idea of the zombie with such a sympathetic and existential gaze as you will with Sebastian Hofmann's Halley."
Twitchfilm

"Hofmann demonstrates a confidence of vision, aesthetic and atmosphere duly bourne out by expert performances and precise design contributions. (...)This simple yet enigmatic tale has slender commercial potential."
Variety

"An exceptional performance from Trujillo who perfectly portrays a waning human being."
Slug Mag

"Hauntingly surreal, and sometimes maddeningly oblique, it never fails to be consistently compelling, and Hoffman's eerie protagonist manages to resonate long after its final frames".
Ion Cinema

"A disturbingly stylish and surrealistic drama, (which) could well attract critical support given its strangely compelling story, impressive performances and strange sense of the grotesque."
Screen Daily